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“If the words 'Life, Liberty, and the pursuit of Happiness' don't include the right to experiment with your own Consciousness, then the Declaration of Independence isn't worth the hemp it was written on.” ~Terence McKenna 

 

 

*For too long, American citizens have been thrown in jail for an unequivocally victimless crime. Now that some states are begin to make legislative changes regarding marijuana, the ridiculousness of this commonplace statute is becoming more obvious...

 

Jan, 6 2014 'The Atlantic' by Conor Friedersdorf

~Under the law in 48 states, here's what can happen when an adult is thought to possess marijuana: Men with guns can go to his home, kick down his door, force him to lay face down on the floor, restrain him with handcuffs, drive him to a police station, and lock him in a cage. If he is then convicted of possessing marijuana, a judge can order that he be locked in a different cage, perhaps for years. 

 

There are times when locking human beings in cages is morally defensible. If, for example, a person commits murder, rape, or assault, transgressing against the rights of others, then forcibly removing him from society is the most just course of action. In contrast, it is immoral to lock people in cages for possessing or ingesting a plant that is smoked by millions every year with no significant harm done, especially when the vast majority of any harm actually done is borne by the smoker. 

 

That there are racial disparities in who is sent to prison on marijuana charges is an added injustice that deserves attention. But if blacks and whites were sent to prison on marijuana charges in equal proportion, jail for marijuana would still be immoral. 

 

America has used marijuana charges to cage people for so long that it seems unremarkable. The time has come to see the status quo for what it is. A draconian punishment for a victimless crime has been institutionalized and normalized, so much so that even proponents of the policy are blind to its consequences. Commentators are criticizing marijuana policy in Washington and Colorado, where the drug was recently legalized. These commentators aren't willing to put their names on an article stating that human beings who possess or smoke marijuana should be locked in cages among child molesters, gang members, and muggers. Yet they reserve their criticism for states that don't do that. 

 

Status quo bias has mangled their priorities. 

 

Present the American people at large with an individual who admits to having used marijuana and they are more likely to elect him president or to send him to Congress than to suggest that he ought to have been arrested and jailed for his crimes. But a majority of voters in most states, and even a majority of elected officials who've smoked marijuana, continue supporting laws that permit locking various marijuana users in prison among perpetrators of hate crimes and elder abuse. 

 

In his recent column on marijuana policy, David Brooks wrote that "many people these days shy away from talk about the moral status of drug use because that would imply that one sort of life you might choose is better than another sort of life." I submit that a more urgent problem is Americans who shy away from talk about the dubious moral status of marijuana prohibition. It is, at its core, an exercise in using people as means to an end. The end is maintaining a stigma against marijuana use. And the means is locking humans in cages with dangerous people.

 

One day, we will look back at that tradeoff in moral horror.

 

rmjOb8OYveu6rzgYsn4pOVQ4oLw2h1es_obRzsBgGlOWY4b_j3oIjm3Z-EkyB7qRPg%3Dw300

ChantDownBabylon247... NewDayDawning

http://www.theatlantic.com/politics/archive/2014/01/it-is-immoral-to-cage-humans-for-smoking-marijuana/282830/

http://realitysandwich.com/215855/it-is-immoral-to-cage-humans-for-smoking-marijuana/

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Replies

  • It's immoral to cage people period. But, that's a discussion for another day since it involves the reconstruction of the entire view on the long term goals of practicing justice as a system. 

  • 992RadhaKrsnadancing.jpg

  • Hi! I couldn't agree more!

  • Marijuana is always a popular topic-- cause thats what everyone likes to do- smoke it.

    • If your weed burn
      And Heighten your depression
      Or if your weed burn
      And Heighten your Rebel Determination
      If your weed burn
      And remind you of the loss of a Queen
      Know in between hurt
      Jah Work fe Always Gwaan
      Better World Natural Cause
      Better World Natural Cause...

  • How could anyone be so blatant in their smoking habits that they have attracted legal authorities to their activities

    ?

     

  • Marijuana smokers tend to be peaceful and cooperative, which makes them dependable and honest workers. This is ideal for an incarceration system that pays $0.25 an hour for labor, and thus imprisonment for marijuana use works out well financially for corporate-types and the (s)elected leaders that they financially support (INCLUDING PRESIDENT OBAMA, WHO REPORTEDLY OKAY'ED DEPT. OF JUSTICE DIRECTOR ERIC HOLDER FORCING THE L.A.P.D. TO RAID MEDICINAL MARIJUANA FACILITIES IN LOS ANGELES (or else Los Angeles would lose Federal funding in important areas)).

    Jailing anyone for any drug problem is immoral, unless someone gets physically hurt due to their drug problem. And I have yet to hear about a construction worker coming home from work and smoking a reefer, and then punching out his wife or kids.

  • & some more Multidimensional food for thought Ashtar Massive...

    2ddc1f88ffd8a89f59f1c2faf38ac9b0.jpg

    On Creativity, Marijuana and "a Butterfly Effect in Thought"
    by Jason Silva

    "The truly creative mind in any field is no more than this: A human creature born abnormally, inhumanly sensitive." [...] "...by some strange, unknown, inward urgency they are not really alive unless they are creating." -- Pearl Buck, Winner of a Nobel Prize in Literature in 1938.

    In a blog post last year entitled "Marijuana and Divergent Thinking", Jonah Lehrer explains that many creative tasks require the cultivation of an "expansive associative net, or what psychologists refer to as a "flat associative hierarchy." What this essentially suggests is that creative people should be able to make far-reaching connections among all sorts of seemingly unrelated ideas, and to not dismiss one possible connection just because it seems far-fetched.

    Creativity and insight almost always involve an experience of acute pattern recognition: the eureka moment in whicwe perceive the interconnection between disparate concepts or ideas to reveal something new.

    The Imaginary Foundation says that "to understand is to perceive patterns" and this is exactly what all great thinkers have done throughout the ages: they have provided a larger, dot-connecting, aerial view of things that subsumes the previous paradigm. As Richard Metzger has written:

    What great minds have done throughout history is provide an aerial view of things. A larger more encompassing view that often subsumes the previous paradigm and then surpasses it in completeness with the vividness of its metaphors. Consider now how the evolving notions of a flat earth, Copernican astronomy and Einsteinian physics have subsequently changed how mankind sees its place in the cosmos, continuously updating the past explanations with something superior.

    Media philosopher Marshall McLuhan sets a wonderful example as a patternistic thinker: he saw the electronic global village coming decades before the Internet and interpreted electronic communications as extensions of the human nervous system. He connected the dots. A recent review of Douglas Coupland's McLuhan biography said:

    More than anything, it paints McLuhan as a masterful dot-connector and voracious cross-disciplinary thinker, a curious octopus if you will.

    McLuhan, "was a master of pattern recognition," wrote Coupland, "a man who bangs a drum so large that it's only beaten once every hundred years."

    This heightened ability to draw connections and novel associations between disparate ideas or objects is the hallmark of creative thinkers, who are always searching for the initial conditions or tools that epiphanies are born from.

    I believe that Marijuana is perhaps one of the best cognitive tools for creativity.

    The Science

    In his ScienceBlogs post, Jonah Lehrer points to a paper recently published in Psychiatry Research, which "sheds some light on why smoking weed seems to unleash a stream of loose associations." In order to examine the relationship between marijuana and creativity, the study looked at a phenomenon called "semantic priming," in which, Lehrer describes:

    The activation of one word allows us to react more quickly to related words...Interestingly, marijuana seems to induce a state of hyper-priming, in which the reach of semantic priming extends outwards to distantly related concepts.

    He cites Vaughan Bell:

    As cannabis certainly causes smokers to have freewheeling thoughts, the researchers decided to test whether stoned participants would show the 'hyper-priming' effect...[And indeed they found that]...volunteers who were under the influence of cannabis showed a definite "hyper-priming" tendency, where distant concepts were reacted to more quickly.

    Essentially, marijuana can extend the range of our free-associative capacities. It increases the novel ways in which we find connections between ideas, and it also extends the range of ideas that we might somehow relate to one another.

    While not surprising, it does offer a scientific validation for what so many artists, philosophers and scientists have been saying for ages: that marijuana is a cognitive catalyst that can trigger heightened free-associative creativity, increased pattern recognition, and insight.

    The Subjective Effect

    "Cannabis is an assassin of referentiality inducing a BUTTERFLY EFFECT in THOUGHT," says Darwin's Pharmacy author Rich Doyle. This effect "de-conditions our thinking" leading to what RealitySandwich.com described as "the really big connectivity ideas arrived at wholly outside the linear steps of argument. These are the gestalt-perceiving, asterism-forming "aha's!" that connect the dots and light up the sky with a new archetypal pattern."

    You can see the hyper-priming, free-associative effect at play when Doyle adds that "cannabis induces a parataxis wherein sentences resonate together and summon coherence in the bardos between one statement and other, rather than through explicit semantics."

    "...The words-leap-to-mind, one-after-another, of themselves without having to be searched for," adds anthropologist Henry Munn. "It's a phenomenon similar to the automatic dictation of the surrealists except that here the flow of consciousness tends to be coherent: a rational enunciation of meanings."

    "...The fluency, the ease, the aptness of expression one becomes capable of are such that one is astounded by the words that issue forth... For the inspired one, it is as if existence were uttering itself through him..."

    To quote Khalil Gibran, it feels as if words "come through you but not from you and though they are with you they belong NOT to you." You feel as if you are having a download.

    Psychonaut and ecstatic poet Terence McKenna, who described language as an ecstatic activity of signification, wrote that marijuana "excites vocalization and empowers articulation. It transmutes language into something that is visibly beheld." Indeed it liberates our linguistic straight-jacket.

    Perhaps this is why so many artists have enjoyed marijuana's effects.

    Charles Baudelaire was fond of hosting "hashish parties" where members of the intelligentsia could use hashish to elicit a very affective 'rhapsodic oratory':

    People completely unsuited for word-play will improvise an endless string of puns and wholly improbable idea relationships fit to outdo the ablest masters of this preposterous craft...

    Every difficult question that presents a point of contention for theologians, and brings despair to thoughtful men, becomes clear and transparent. Every contradiction is reconciled. Man has surpassed the gods.

    Walter Benjamin wrote the book On Hashish where he articulated philosophical "protocols": first person accounts of marijuana intoxication.

    Carl Sagan publicly came out saying marijuana often triggered creative outbursts. So too for Richard Feynman and recently there has been evidence that Shakespeare himself was a toker.


    Awe

    Accompanying this extended, intellectual hyper-priming, what we also gain with marijuana is an enhanced ability to marvel. As described in Darwin's Pharmacy, "...a sense of interior and exterior dissolves in awareness and awe.... There is an upwelling of fresh insight coupled with a feeling of ubiquitous harmony," in the experience. The vision -- which I hasten to point out, is neither "religious" nor "otherworldly" -- feels like a"startling recognition."

    This sense of revelation and awe can be illustrated by a tendency to indulge heady thought experiments like this one described in Doyle's book:

    "Christopher Uhl reminds us that "while gazing 'up' at a night sky, one in fact hangs off the planet and near the edge of a galaxy, vertiginous, suspended over the infinity of space."

    Uhl then quotes cosmologist Brian Swimme:

    As you lie there feeling yourself hovering within this gravitational bond while peering down at the billions of stars drifting in the infinite chasm of space, you will have entered an experience of the universe that is not just human and not just biological. You will have entered a relationship from a galactic perspective, becoming for a moment a part of the Milky Way galaxy, experiencing what it is like to be the Milky Way galaxy.

    Marijuana and Art: The 'Ecstasy' of Beauty

    "Beauty is an altered stated of consciousness, an extraordinary moment of poetry and grace, a rousing symphonic climax. To seek beauty is to have the willingness, the inclination, and the impetuous desire for this encounter to transpire. Great art expands the way we see. It uplifts the human spirit from the barbaric and thrusts it towards the numinous." -- Director, Imaginary Foundation

    "One day we'll fall down and weep and we'll understand it all" -- Tree of Life film.

    The sentence above sentence is heard in the trailer to Terrence Malick's Tree of Life and I believe it speaks of the ecstatic illumination bursting forth during our properly understood encounters with great art, great love and great truth.

    As I've said before, marijuana enhances our ability to marvel: In some mysterious and uncannily recurring way, marijuana can induce an almost 'synesthetic ecstasy,' whereby a loosening of the usually firm borders that separate our five senses allows for a broader, deeper, more profound, and often time-dilated "interpretation" and "internalization" of moment-to-moment experience.

    Marijuana treats us to an awareness of a simultaneity of sensations, a sort of meta-pleasure, which is not surprising, given the roots of the term 'ecstasy,' as Rich Doyle writes:

    "Ecstasy" comes etymologically from the experience of "being beside ourselves." The mathematician Brian Rotman has written extensively on this idea that we can experience "parallel" rather than "serial" reality."

    This makes it a great tool for the appreciation and study of art.

    Imagine the "here and now" as a usually folded accordion, revealing only a fraction of what is there: what weed does is it unfolds this "accordion of the present moment," by sharpening our focus, diverging our thoughts, loosening our reality tunnel, augmenting our semantic priming, removing our judgments and slowing how we perceive time...

    Subjectively, this manifests itself in the perception that the "feelings" elicited by art and music are in fact the ACTUAL feelings the artist felt, somehow, dizzyingly "captured" by the work, immortalized, held in "static communion" by the canvas, or musical recording, or camera... and now able to enrapture and enchant us indefinitely.

    We FEEL (and correctly recognize) the emotions of the artist, we apprehend the wordless, yet-no-less emotive SENSATIONS that were vividly translated from the artist's inner-experience into a communicable form. It is for this reason that we say that "music communicates the uncommunicable", or that "art is about certain feelings that cannot be expressed accurately in words", or that "a picture is worth a thousand words." We are therefore able to understand art as a tool for communication.

    Art may be an important supplement to traditional language, due to its ability to convey and communicate truth that doesn't fit inside the present constraints traditional language might impose on us.

    Perhaps this is why filmmaker Werner Herzog says he prefers "ecstatic truth" to factual truth... For whereas a literal journalist might have certain facts straight, the articulation of a poet or artist, though less "factual", can actually reveal a deeper truth. As Alain DeBotton once wrote, the artist is "willing to sacrifice a naive realism in order to achieve realism of a deeper sort, like a poet who, though less factual than a journalist in describing an event, may nevertheless reveal truths about it that find no place in the other's literal grid."

    This still leaves open the question of why the artist chooses to make art. Why doesn't he just "experience the present" and be done with it. It certainly would expend less effort.

    Ernest Becker wrote in The Denial Of Death that the artist's motivation comes from a desire to channel the anxiety about our mortality in a creative way. While not disagreeing, I might add that it is when we make art that we defy death.

    Richard Doyle explained to me that among other things, a desire to make art "shows that there is compassion, a will to share the outcome of the work of beauty on us, a bubbling desire to awaken us to our common ecstasy. Why suffer when we can SEE?" He continued, saying that insight comes from practice in letting go of prior thought formations and that marijuana does not "cause these sessions but "occasions" them. This is why cannabis must be understood as a teacher plant: if used with intention, we learn to let go of what we "know" and, instead, wonder.

    http://realitysandwich.com/113157/marijuana_effect/

    • merkaba_animated.gif

      Please Mr. Minister, a word with you
      Only take a minute, sir, so don't you screw

      You no fight'gainst the rum head
      You no fight'gainst the wine head
      You no fight'gainst the cigarette smoking

      Yet you know, yet you know
      These things give cancer
      Yet you know, yet you know
      These things give cancer

      Rastaman know the truth
      So you can't fool the Youth
      Rastaman know the truth
      So you can't fool the Youth

      What was hidden from the wise and prudent
      Shall reveal to the babe and suckling
      What was hidden from the wise and prudent
      Shall reveal to the babe and suckling

      Tell me why do you fight against the collie man?
      Tell me why do you fight against the collie man?

      Yet you know, yet you know
      It's the Healing of the nation...

      ( ( ( OneLoveEvolution555 ) ) )

      • AsAbove

        SoBelow

        NewDayDawning555

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