(« Surface Tension » by darkmatter)
In « Surface, » the sixth chapter of « The Dam, » the protagonist/narrator is gradually returning to activity after having transformed into who they feel like being. Ultimately, they reach the surface where a new
absolutism (6)
(« Between the waves » by Ivan Aivazovsky)
The seventh chapter of « The Dam » is entitled « Flow » and presents the situation once the obstacle has been overcome, the dam has been levelled, and the test has successfully been passed.
The protagonist/na
(« Underwater World » by Felipe Skroski)
In the storyline of « The Dam, » once the obstacle is recognized and the necessity of the conquest accepted, the protagonist must transform to become what they feel they must be.
The fifth movement portrays th
(« Moonlight Night on the Volga river » by Vladimir Ivanovich Ovchinnikov)
The second part of « The Dam » is entitled « River » and expounds the original situation, before the obstacle is recognized and dealt with.
The focus of this section is the slo
(« Painting of the Zola dam near Aix-en-Provence in France » by Paul Cézanne)
The fourth movement of « The Dam » is entitled simply « Dam. » In the storyline, this is when the obstacle is recognized and the necessity of dealing with it is accepted. T
(« Stromschnelle » by Gerhard Rießbeck)
In « Rapids, » the third part of « The Dam, » the protagonist/narrator is being carried from a mostly disappointing river straight into an heretofore unseen dam.
The intent behind this instrumental section is to
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