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(« Ratha Yatra Festival in Puri, India » by James Fergusson)
The third part of « Juggernaut, » entitled « Procession, » evokes the arrival of the crushing force before it unleashes into a frenzy of steamrolling.
The title and music of this section ar
(Based on « 4D virtual 3x3x3x3 sequential move puzzle, scrambled » by SpinningSpark)
« Integration » is the seventh and final chapter of « The Chrome Lake. »
This instrumental section starts on a chaotic solo piano part which is soon backed up by the
(« Wilesco D36 steamroller » by Morn)
« Steamroller » is the fourth chapter of « Juggernaut. » In the storyline of the suite, it represents the apex of pain, and the metanoia.
The instrumental is one of the most busy pieces of music that I’ve written
(« Introspection II » by Christopher Stewart)
« Introspection II » is the fifth section, and second with vocals, of « The Chrome Lake. »
The chapter is an almost-but-not-identical twin to « Introspection I. » And again, the subject matter is pretty mu
(« Surface Tension » by darkmatter)
In « Surface, » the sixth chapter of « The Dam, » the protagonist/narrator is gradually returning to activity after having transformed into who they feel like being. Ultimately, they reach the surface where a new
(« Introspection » by Alberto Baumann)
« Introspection I » is the third part of « The Chrome Lake, » and its first section with vocals.
As implied by the title, the piece is about looking into oneself. More precisely, it speaks of having the courage t
(« The flying » by Anchise Picchi)
i remember, once, i couldn't walk
sure, i could move by myself
but i couldn't walk
perhaps, i didn't feel the need to
possibly, i was happy crawling on hands and knees
yet, i could see
and from what i could see, others
(« Newton » by William Blake)
it was a path, a road, a way forward
it was not just any other day
yet, in a sense, it could have been
had it been the unusual sunshine
the melodies of the birds
or something in the air
lures material
she now knew empty
she h
(« Glass of Beer and Playing Cards » by Juan Gris)
everyday was the same
but she wouldn't notice
oblivious to the game
that had become practice
well, many times she had
but she couldn't stand it
it always felt so bad
better to deny it
rising up as a ghost
toi
(« Between the waves » by Ivan Aivazovsky)
The seventh chapter of « The Dam » is entitled « Flow » and presents the situation once the obstacle has been overcome, the dam has been levelled, and the test has successfully been passed.
The protagonist/na
(« Moonlight Night on the Volga river » by Vladimir Ivanovich Ovchinnikov)
The second part of « The Dam » is entitled « River » and expounds the original situation, before the obstacle is recognized and dealt with.
The focus of this section is the slo
(« Painting of the Zola dam near Aix-en-Provence in France » by Paul Cézanne)
The fourth movement of « The Dam » is entitled simply « Dam. » In the storyline, this is when the obstacle is recognized and the necessity of dealing with it is accepted. T
(« Stromschnelle » by Gerhard Rießbeck)
In « Rapids, » the third part of « The Dam, » the protagonist/narrator is being carried from a mostly disappointing river straight into an heretofore unseen dam.
The intent behind this instrumental section is to
(« Tobyo » from the Bakemono-Dukushi - Unknown Artist)
« Uncoiling I » was originally written in September 2002, elaborating on drafts dating back to September 2000, and was first published in 2004.
At the time the music first came about, it was as if
(« The Winged Man » by Odilon Redon)
« The Winged Life » takes its name from William Blake's poem « Eternity » :
He who binds himself to a joy
Does the winged life destroy
But he who kisses the joy as it flies
Lives in eternity's sunrise
This piece is a
(Detail from « American Quilt » by Natasha2006)
When I complete a composition there are often unused ideas left. Some of those I find actually pretty good but if I can’t see how to fit them into the piece then there’s not much choice but to discard
(« Primeval Center » by Christopher Stewart)
On a background of Wall Street Bailouts and Large Hadron Colliders, « Void » paints sunyata, the Buddhist concept of emptiness.
In Buddhism, the realization of emptiness of inherent existenc
(« Pocket stereoscope » by Joaquim Alves Gaspar)
« Stereoscopy » is the definitive title of a song which I used to refer to as « Point Of View. » I changed my mind about the title while writing and singing the melodies, thinking that the former wor
(« Enigma » by Matías Argudín)
« Leaving The Ashram » is the third chapter of « Entering The Stream, » a trilogy describing an episode of intense introspection that will open our second album, « Satori. »
This instrumental suite comprises four move
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